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SHORT
FEATURE, “MARKET 175,” SHOT WITH PANASONIC
AG-DVX100 MINI-DV 24P CAMCORDERS
Great American
Country Series Also Captured with DVX100
SECAUCUS,
NJ (January 12, 2004)
- “Market 175,” a 40-minute feature depicting
life on the job at a small (#175) market television
station, was recently shot with two Panasonic AG-DVX100
Mini-DV 3-CCD camcorders by Linn Productions, a full-service
advertising agency and production studio based in Rapid
City, South Dakota. The feature was well received at
last year’s Los Angeles Short Film Festival and
is now on the festival circuit.
Linn Productions purchased
its AG-DVX100s to shoot “Market 175” as
well as for assignments ranging from features to original
network programming. The company has already utilized
the cameras to shoot the South Dakota segment of the
Great American Country (GAC) network’s “Made
in America “with Aaron Tippin (a series shot in
its entirety with the AG-DVX100). The breakthrough AG-DVX100
is a unique Mini-DV 3-CCD camcorder with exclusive CineSwitch™
technology that supports 480i/60 (NTSC), cinema-style
480p/24fps and 480p/30fps image capture. Panasonic is
now delivering an upgraded version of the AG-DVX100,
the AG-DVX100A, with more than 20 new features.
“Market 175”
was suggested to Company principal Michael Linn by an
actor friend, Toby Brusseau, who stars in the feature.
Linn, who functions as both a director and director
of photography, said, “Because of our location,
I am privileged to work as a videographer for numerous
national shoots, photographing Mount Rushmore, Crazy
Horse Memorial, Pine Ridge Indian Reservation, The Badlands,
the Sturgis Rally, and numerous other Black Hills locations
for the Discover Channel, MSNBC, the History Channel,
GAC, and others. Until recently, most of our shooting
was done on Beta-SP cameras. I never thought I would
fall in love with a mini-DV camera.”
Linn
continued, “As a video production company that
also makes independent films, we have been following
the arena of 24p cameras with great interest. We took
some basic training courses in shooting in HD 24p, and
were sold on the amazing images that came from these
cameras--but unable to come up with the capital necessary
to own one. So when we heard that Panasonic was making
a 24p mini-DV camera, it seemed too good to be true.”
Linn recounted, “’Market
175’ was actually made to test the AG-DVX100,
and see how it handled under various lighting conditions.
Our company acquired two cameras almost as soon as they
were available, and we needed to get familiar with them
before taking it in the field on network shoots. When
Toby brought ‘Market 175’ to us, the timing
was perfect. It turned out I needed to have the skills
with this camera almost immediately, when I was hired
to shoot the ‘Made in America’ segment.”
He added, “When
we made the decision to purchase the AG-DVX100, we were
really pre-sold on the camcorders. We had seen the film
mode offered by Canon’s XL1 and didn’t think
it looked any different than de-interlacing our own
video footage. We wanted the look of film. I found some
early footage of the AG-DVX100 online, downloaded the
clips, and played them on my television monitor. We
were all extremely impressed, but the footage was generic,
and we really wanted to see how it handled in a film
shoot. The affordable price in combination with the
positive buzz prompted our decision to go ahead and
purchase one. We bought our second camera not long after.”
“Market 175”
was shot in six weekends with a budget of about $700
for food and miscellaneous expenses, i.e., a labor of
love by actors eager to expand their resumes. Commenting
on the shoot, Linn said, “We lit the movie using
a basic Tota/Omni tungsten light kit with Chimeras,
and were pleased with how the AG-DVX100 handled the
lighting. In some cases, such as a shoot outside a restaurant,
we could not use lights because we would disturb the
patrons. The AG-DVX100 handled the natural, low-light
situation amazingly well. This kind of unobtrusive shooting
environment would not have been possible without this
camera.
“ We shot ‘Market
175’ with the camera in standard 24p mode. However,
the news segments were shot in 60i, because we wanted
the proper news video look. It was wonderful having
a camera that could switch back and forth with ease.
We could shoot the film segments, and then just turn
the settings dial and shoot the video/news segments
without even switching cameras or tapes.”
“Market 175”
was edited on Avid Xpress DV, mastered to mini-DV, and
is being released on DVD and VHS. It can be viewed at
Linn Productions’ web site, www.linnproductions.com.
Linn concluded, “If
you are serious about making independent movies, then
the Panasonic AG-DVX100 should be at the top of your
purchase list. I have tried and tested every film look
process out there, and nothing beats acquiring in 24p.
Although no camera can make you a better filmmaker,
the AG-DVX100 is an affordable alternative to film that
will take your projects to the next level.”
The AG-DVX100A offers
over 20 new user-requested features, plus all the top-performing
functions of its predecessor. New features include enhanced
24p and 30p progressive mode functions; improved color
reproduction; new cine-like gamma curves and enhanced
image adjustments; a slow shutter function for higher
sensitivity and dramatic motion effects; smoother zooming
and focusing; a new squeeze mode for 16:9 recording;
and new auto focus assist and interval recording modes
for improved ease and versatility.
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