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Video Performances with Cinema Quality

Video Performances with Cinema Quality

Video Performances with Cinema Quality
24.2MP full-frame sensor with Dual Native ISO technology

24.2MP full-frame sensor with Dual Native ISO technology

A 24.2-megapixel full-frame CMOS sensor equipped onto the compact box-style to achieve cinema-quality video expression. The image sensor features the Dual Native ISO technology developed for Panasonic VariCam professional cinema cameras, leveraging a dual-base ISO setting to minimize noise and maximize image quality from low to high sensitivity. The sensor partnered with the Venus Engine delivers a maximum ISO 51200 / Extended ISO 204800 for minimal noise at high sensitivity and beautiful rendition of dark areas in the frame, while the low pass filter effectively suppresses moiré. The LUMIX BS1H meets the demand for professional low-light videography.

6K video recording performance and multiple recording modes

6K video recording performance and multiple recording modes

The LUMIX BS1H offers the multiple recording modes utilized for cinema, broadcasting, and other professional applications. In addition to C4K/4K 60p/50p* 4:2:0 10-bit, C4K/4K 30p/25p/24p 4:2:2 10-bit and anamorphic 4K recording, the camera offers 6K/24p 4:2:0 10-bit in 3:2 and 5.9K 30p/25p/24p 4:2:0 10-bit in 16:9. This camera delivers all the quality, flexibility, and creative options required in the widest possible range of video production environments.

*In S35mm and PIXEL/PIXEL settings.

Heat management = unlimited recording

Heat management = unlimited recording

The LUMIX BS1H realizes unlimited video recording in all modes. The rise in the camera’s temperature can be suppressed with the cooling fan and can be used for an unlimited time within the guaranteed operating temperature range.

RAW video data output

RAW video data output

The LUMIX BS1H enables the output of maximum 29.97p 5.9K (5888x3312, 16:9) / 59.94p 4K (4128x2176, 17:9) and Anamorphic 3.5K (3536x2656, 4:3) 12-bit RAW video data over HDMI to save it as Apple ProRes RAW on the Atomos Ninja V 4K HDR monitor-recorder. The Blackmagic RAW can also be recorded on Video Assist 12G HDR.

Apple ProRes RAW
*Selectable recording mode depends on the firmware version of Atomos Ninja V.
*Please refer to the Atomos website for the information on the corresponding firmware version of Atomos Ninja V.
*Software that supports Apple ProRes RAW is required to edit RAW video recorded with NINJA V. Apply the LUT (Look up table) available on the following customer supports site to make the same color grading as V-Log/V-Gamut
https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
*All functions may not be available depending on the situation.

Blackmagic RAW
*Selectable recording mode depends on the firmware version of Video Assist 12G HDR.
*Please refer to the Blackmagic website for the information on the corresponding firmware version of the Video Assist 12G HDR.
*DaVinci Resolve or DaVinci Resolve Studio is required to play back the Blackmagic RAW data. DaVinci Resolve Studio is required to edit the Blackmagic RAW data.
*All functions may not be available depending on the situation.

Simultaneous internal/external recording

Simultaneous internal/external recording

10-bit video recording capability provides robust color profiles for an advanced post-production workflow. The LUMIX BS1H offers simultaneous 6K 24p 4:2:0 10-bit (3:2) / 5.9K 30p/25p/24p 4:2:0 10-bit (16:9) internal recording and 4K 4:2:2 10-bit live output for external recording via HDMI. This compact, lightweight camera offers all the quality you would expect from a high-end digital cinema camera.

・HDMI, the HDMI Logo, and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC in the United States and other countries.

Anamorphic recording

Anamorphic recording

4K anamorphic video is captured in the 4:3 aspect ratio. Designed to accommodate anamorphic lenses in a wide range of magnification rates, including 1.3x, 1.33x, 1.5x, 1.8x, and 2.0x, the Anamorphic Desqueeze Display function means you can shoot while confirming the cinemascope-size image on an external monitor.*

*Playback only with HDMI output; both playback and recording with SDI output.

14+ stops of V-Log / V-Gamut "VariCam Look"

14+ stops of V-Log / V-Gamut "VariCam Look"

Offering compatibility with Cinema VariCam Look, 14+ stops of dynamic range, and a very wide color spectrum, V-Log and V-Gamut come preinstalled. Users will enjoy impressively accurate color reproduction, subtle gradations from dark areas to highlights, and precise control of color data in post-production. The end result is more creative and satisfying color expression. Moreover, footage shot with the LUMIX BS1H can be seamlessly edited with footage shot with VariCam cameras.

・ More on V-Log/V-Gamut and LUTs:
https://pro-av.panasonic.net/en/cinema_camera_varicam_eva/support/lut/index.html

4K HDR video

4K HDR video

Since the LUMIX BS1H offers both V-Log latitude that fulfills the PQ requirement of HDR dynamic range and V-Gamut that covers the full HDR color spectrum, it is fully ready for HDR video applications. In addition, HDR video in the HLG (Hybrid Log Gamma) format can be shot using Photo Style “Like2100.” When the content is replayed on HDR-compatible devices, users will enjoy a powerful video experience with ultra-fine light-to-dark gradations and an incredible dynamic range.

VFR (Variable Frame Rate)

VFR (Variable Frame Rate)

VFR (variable frame rate) functionality supports both overcranking and undercranking. Users have access to 2.5x slow (24p/60 fps) in C4K/4K and 7.5x super-slow (24p/180 fps) in FHD.* It is also possible to capture sequences of footage to show the accelerated passing of time by up to 30x normal speed (60p/2 fps). Auto focusing is possible before recording.

*Angle of view narrows if you select a frame rate with a number of frames 151 or more.

HFR (High Frame Rate)

HFR (High Frame Rate)

The LUMIX BS1H supports HFR (High Frame Rate) recording, with the following high frame rates available: 119.88p or 47.95p (59.94Hz), 100.00p (50.00Hz), and 48.00p (24.00Hz). In post-production, the frame rate can be changed and slow-motion video produced. Different from VFR (Variable Frame Rate) capture, HFR (High Frame Rate) recording includes audio and autofocus.

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